啾小组由三位成员组成，他们是方迪 (b. 1987)、嵇昊 (b. 1987) 和金浩钒 (b. 1987)。三位年轻艺术家都是生长于深圳这个移民城市的新一代深圳人，深圳对于他们而言不再是父辈眼中“挣钱的地方”，他们围绕着“深圳”这个他们自己的城市用年轻的视角重新审视和发声。啾跟Li Lei和Han Meimei其实不熟，啾跟Peter、Ann、Sue还有Ken才是好朋友。他们是改革开放的实验产物，也是离散文化的子嗣。在无厘头的享乐主义下，除了偶尔的焦虑与怀疑，啾感觉好极了。于是他们尝试发声，一种不确定而细碎的声响「啾」。
近期展览包括：“上海双年展：禹步”，上海，中国（2018）；“深港城市／建筑双城双年展”，深圳，中国（2017）； “加油站Ⅸ: 大起大落”，Vanguard画廊，上海（2017 Two-Person Exhibition）；“深圳大饭店”，33艺术空间，深圳，中国（2016 Solo Exhibition）；“垂直现场”，广电文化创意园，深圳，中国（2016）；“第二届深圳（盐田）青年艺术周主题展 —— 浮动的景观”，深圳市盐田区壹海城中央公园，深圳，中国（2016）。
Jiū Society is currently based in Shenzhen. The group consists of three members, Fang Di, Ji Hao and Jin Haofan. The three Shenzhen born and raised young artists are considered as the new generation of this immigrant city. Shenzhen to them is no more what to their parents – a place to make money. They examine Shenzhen, their own city, with their fresh perspectives and make themselves heard. “They are the experimental products of Reform and Opening, and also sons of dispersed culture. In name of nonsensical hedonism, despite of occasional anxious and suspect, Jiu feels very good. So they tried to make themselves heard, by making uncertain and small sound, Jiu.”
Recent exhibitions include: Proregress: 12th Shanghai Biennale, Power Station of Art, Shanghai, China (2018); Bi-City Biennale of Urbanism/Architecture, Shenzhen, China (2017); GAS STATION Ⅸ: dà qǐ dà luò, Vanguard Gallery, Shanghai, China (2017 duoexhibition); Lost in Shenzhen, 33 Artspace, Shenzhen, China (2016); Vertical Scence, Guangdian Cultural Creative Town, Shenzhen, China (2016); The 2nd (Yantian) Young Artist Week – The Floating Scenes, Shenzhen, China (2016).
