鲁明军，历史学博士。现任四川大学艺术学院美术学系副教授。其研究领域包括中国现当代美术史及1960年代以来的西方艺术史学等。曾经策划 “不是之是：一次关于‘元绘画’的实践”、“触知区”、“解放的皮肤” 等展览。他的论文可见于《文艺研究》、《美术研究》、《二十一世纪》、《艺术界》等。他的近期著作包括《视觉认知与艺术史：福柯、达弥施、克拉里》、《论绘画的绘画：一种艺术机制与普遍性认知》、《目光的诗学：视觉文化、艺术史与当代》等。2015年起兼任剩余空间艺术总监。2015年获得何鸿毅家族基金中华研究奖助金。2016年获得YiShu中国当代艺术写作奖。
LU Mingjun, Ph.D. in History, is currently Associate Professor of Art History at Art College, Sichuan University. Lu’s research interests include history of modern and contemporary Chinese art, and art historiography in Europe and America since the 1960s. Exhibitions he curated include “The Being of Non-Being: A Kind of Personal Expression on ‘Meta-Painting’ ” (2013), “Stereognosis Zone” (2015), “Unlawfully Constructed” (2015), etc.. His theses were found in Literature & Art Studies, Art Studies, 21st Century, Artforum, LEAP, etc.. His recent books include Visual Cognition and Art History: Michel Foucault, Hubert Damisch, Jonathan Crary (2014); and On Meta-Painting: An Art Institution and Cognition of Universality (2015); The Poetics of Gaze: Visual Culture, Art History and the Contemporary. Since 2015, he held the post of artistic director of Surplus Space. He was also the Robert H. N. Ho Family Foundation Greater China Research Grant 2015 Grantee. He received the 2016 Yishu Awards for Writing on Contemporary Chinese Art.
